How do you write a pitch letter to get a ebook printed through a literary agent? A very powerful a part of your submission to an agent will not be your manuscript and even the synopsis. (The agent usually reads the synopsis after the letter, initially to test if the work slots into a ?publishable' category.)
The vital facet is the overlaying or pitch letter. Spend more time on this than on the rest. Get it wrong and the agent is not going to even learn your story.
The key parts of a good cowl letter are, in roughly this order:
1. Why you selected that agent. Maybe s/he was advisable to you by a mutual literary friend or already represents authors who write in your style. This reveals you've got executed your homework. By no means send out a ?Expensive Sir or Madame'-sort letter. Personalise it closely!
2. What style or matter area your work falls into ? and the way it compares with different successful books on this space.
3. Who your work is written for, and some indication of the proven market which is able to yearn to learn it. (Just a few statistics paraphrased from The E book Trade Listing are useful here.)
4. How exactly your work is new ? or no less than different, provocative or otherwise a ?must purchase'. If attainable, stress its value as a present. (Few new hardback books as we speak are bought at full retail price, except as gifts for other individuals.)
5. Your own qualifications for writing this work - equivalent to your previous publications or awards in prestigious literary contests, and/or your unique lifetime experience.
So in case you've crafted a novel about a dramatic attempt to lift sunken Roman gold from the Aegean sea, point out that you've been a maritime salvage consultant or a deep sea diver or a outstanding classical historian these previous a number of many years.
When you have a testimonial from a very superior authority, insert it. However the secretary of your writing membership won't impress.
Put all that into just one page, around 350 phrases max. Agents don't fortunately turn over pages.
No, no's? brokers don't want to hear about your pet cat, or your disabled baby, or the fifty years of agony you have invested in your opus magnus. Don't lay a guilt trip on them or get chummy. Hold it skilled. And be sure that your spelling, grammar, punctuation and presentation are immaculate. The letter is itself a pattern of your literary competence.
Beware of the presentation error I made with my first ebook in 1982. I submitted the pages to a writer, unsolicited, in a ring binder. (Miraculously, he revealed the book.) The fashionable fad is to current the pages, looseleaf, in just a plastic slip folder or elastic band.
True, this practice is quite mad. (The pages tumble in every single place.) However brokers/publishers realized it in the days when typesetters demanded free pages, and the superstition persists. Humour it.
Hold a number of submissions in circulation, perhaps six at a time. Do not chase submissions. If you obtain a rejection letter, ship out one other submission. After you might have approached each related agent with out success, relaxation the manuscript for a yr. Then massively revise it. (Its faults ought to now leap out at you.) And begin the method once more.
Chances are high, the college intern whose job it was to sift the company slush pile has now moved on, and their alternative would possibly love your work. Cynical? Alas, life like.
The key right this moment of catching an agent's eye is ninety% perspiration and 10% persistence. Talent is elective. However if in case you have it, put it - above all - into your masking letter!